Lorena Morales

Lorena Morales is a multidisciplinary visual artist currently based in Houston, Texas, USA. Born in Maracaibo, Venezuela, Morales holds certificates in painting and sculpture from the Glassell School of Art at the Museum of Fine Arts Houston, as well as a degree in Business Administration. She completed the Block XIX Program at the Glassell School of Art, and was also awarded a grant by the Carlos Cruz-Diez Foundation and the Glassell School of Art for participation in an Advanced Seminar in Contemporary Art. She was one of the selected 2021/22 Artists-in-Residence at the L’AIR Arts Research Residency in Paris, France. In 2023, she joined the hybrid art residency “Mar Adentro” at Puertas Adentro in Punta del Este, Uruguay. Morales’ work has been exhibited in Art Galleries, Non-profit organizations and Art Museums extensively in Texas, as well as nationally and internationally, in Venezuela, France, Uruguay and Germany. Her work is held in the permanent collection of the George R. Brown Convention Center in Houston (since 2016), City of Houston’s Civic Art Collection, George Bush Intercontinental Airport (2021) as well as in many other public and private collections. More recently, Morales was selected as the 1 st Place winner for The Wendy Wagner Foundation 2024 Fall Trio Creative Grant.

Lorena Morales work is represented by Hooks-Epstein Galleries in Houston, Texas and Contemporaneo Gallery in Asheville, NC. The evolving nature of home and the significance of what this carries for an individual and their identity in a rapidly changing world is the impetus behind the work of contemporary visual artist, Lorena Morales. She is not interested as much in the concept of home as physical place; she is interested also in exploring spaces that are intangible, metaphoric and psychological. With her works, Morales seeks to discover what it means to represent a concept that is so multidimensional—whether home is a sensation, a practice, or a state of being in the world.

Artwork List:

1. Embracing Congo 1. Micron Markers on Mylar. 2021

2. I AM HERE. Topographies of a Place to Know. 11’ x 3’ x 3’. Sharpie Markers on six pack rings, Plexiglas, nylon, mesh, adhesive letters. Beeville Art Museum.2024

3. Topographies of a Place to know. YOU ARE HERE. Installation. Hand-stitched fabric, wooden hoops, mirrors, letter stickers, nylon thread, stainless steel hooks. Dimensions variable. 2024

4. Home is greater than the sum of its parts. Enamel paint, oil-based markers, layered hand-cut paper. 24" x 18". 2024

5. Falling into a Vortex. Drawing/Sculpture. Enamel paint, oil-based markers, zip ties. 15” x 10”. 2022

6. Topographies of a Place to Know. Here, There and Everywhere. Hand Embroidery and fabric detail.2024